The Testosterone-Fueled Literature of Robert E. Howard, as Seen Through the Eyes of a Modern-Day Woman

Andrea K Lipinski's picture

If you had asked me several years ago if I was interested in reading stories by the man who created the characters of Conan the Barbarian and King Kull, my answer would have been a resounding NO.  I mean, that's not really my thing, is it?  Big muscle-bound guys yelling and grunting and attacking each other with swords?  DEFINITELY not my thing!  But over the last few months, I happened to hear a number of references to Robert E. Howard on different podcasts that made me curious.  I learned that he wrote at the same time as H.P. Lovecraft, and that he was one of the writers whom Lovecraft invited to share the mythos and the universe that he'd created.  I learned that Howard was an incredibly prolific writer, but that he killed himself when he learned that his mother was going to die, leaving readers wondering how many more stories he could have created if he'd lived.  So I decided to give Robert E. Howard a shot, and I checked out three collections of his stories from my library system.  And yes, I know that he wrote a lot more than just the stories that are in these volumes, but I was really looking to find some Lovecraft-influenced stuff so these were the books I chose.  Understand that any conclusions I have drawn about Robert E. Howard were from reading biographical essays, as well as these collections of his work:

Shadow Kingdoms: The Weird Works of Robert E. Howard Volume 1

The Black Stranger and Other American Tales

The Horror Stories of Robert E. Howard

And my conclusions are ... that Howard's writing is lurid and colorful, violent and scary, and sometimes unintentionally hilarious.  There are often detailed descriptions of male characters' physiques, their rippling muscles, etc.  Men bond with other men, and the few female characters mostly stay in the background.  To say that many of Robert E. Howard's stories have a homoerotic subtext is like saying that The Village People's magnum opus Can't Stop the Music has a homoerotic subtext.  Don't believe me?  Here are some quotes to whet your appetite:

Out of the Cockatoo's cabin staggered Black Terence Vulmea, pipe in one hand and flagon in the other.  He stood with booted legs wide, teetering slightly to the gentle lift of the lofty poop.  He was bareheaded and his shirt was open, revealing his broad hairy chest. - "Black Vulmea's Vengeance"  [I am ROTFL as we speak!]

And like a comrade shadow Brule stood by his side, dark eyes glittering from immobile face.  A real man, Brule!  And Kull felt his friendship for the savage become a thing of reality and sensed that Brule felt a friendship for him beyond the mere necessity of statecraft. - "The Shadow Kingdom"  [Jeez, guys, get a room!]

Doc Blaine ejaculated incoherently. - "Old Garfield's Heart"  [Okay, I know he didn't mean it that way, but I'm an intelligent and educated librarian, and that line still cracks me up!]

Of course, I'm reading these stories NOW, while Howard was writing them in his twenties, and he took his own life in 1936, when he was just thirty years old.  So there's a huge difference in perspective.  Then there's also the racist element, which is even more pronounced than in Lovecraft's work.  With Lovecraft you can make the argument that maybe he was a racist or maybe he was just a product of his time, using terms that were popular back then.  But Robert E. Howard ... hoo, boy.  I mean, if the heads of the Klu Klux Klan had read Howard's story "Black Canaan," they would have offered him an honorary membership in a heartbeat.  But amidst the rippling muscles and racial overtones there are some stories that are okay, some that are very good, and some that are astonishingly good.  Most of the stories are action-packed and/or downright terrifying.  I mostly preferred the standalone stories where I didn't need to understand the backstory of the characters.  But I do confess that I now have soft spots in my heart for the puritan Solomon Kane and even the barbarian King Kull.

Robert E. Howard is still seen as a marketable property, as evidenced by the new Solomon Kane movie.  Of course, it would be nice if people in the film industry would bother to reread the original material before making Robert E. Howard books into movies.  Because anyone who just sees the movies is going to think that Howard's books are all about a guy in a loincloth who beats people up, or a guy in a big hat who beats people up.  And yes, that's PART of the allure, but Howard's characters are actually more nuanced than you might imagine.

Curious

NickelNDime's picture

Are the homoerotic overtones what give Howard's work an allure that Lovecraft's lack, because from your description and despite your warning, Howard's writing was a product of its time and frankly, save for possibly using basic plots for movies, I don't see the point in resurrecting the man's work at all.

The Whole Wide World Movie Review

Derrick's picture

1996
Cineville, Inc./Sony Pictures

Directed by Dan Ireland
Screenplay by Michael Scott Myers
Based on “One Who Walked Alone” by Novalyne Price Ellis

Last year on Valentine’s Day I reviewed “Same Time, Next Year” which was by no means your typical romantic comedy so I thought that I would stay in tradition and review another movie that does have a romance but it’s not exactly the first movie that would come to mind when you and your sweetie hit the local Blockbuster for something to cuddle up with. But you really should give THE WHOLE WIDE WORLD a try. Let’s face it; aren’t you guys tired of seeing “Ghost” every year?

In 1933, Novalyne Price (Renee Zellweger) is an independently minded young woman living in rural West Texas who dreams of going off to college and maybe becoming a teacher. She really aspires to be a writer. She has these huge diaries she writes her daily activities in and has been sending off stories to the confession/romance pulp magazines with little success. She desperately longs for someone to talk to about her ideas and stories and one day while sitting on her porch drinking lemonade, a friend of her drives up and asks her would she like to walk over to his car and meet the greatest pulp writer in the whole wide world: Robert E. Howard (Vincent D’Onofrio)

Robert E. Howard grew up and lived most of his painfully short life in Cross Plains, Texas and created what is probably the most famous pulp adventure character of all: Conan The Barbarian, the hero of short stories, novels, comic books and movies. But Robert E. Howard created many more characters than that and wrote so prolifically that whole issues of ‘Weird Tales’ magazines were filled with his stories, written under half a dozen pen names. Even today nobody is sure exactly how many names Robert Howard used or how many stories he wrote. For me, when it comes to writing, Robert E. Howard still has no equal when it comes to sheer storytelling power. He wrote stories about lusty adventurers who spent their days hunting for treasure, fighting demons and roaming uncharted lands and spent their nights wenching, drinking and gambling. There’s nothing but total testosterone in a Robert E. Howard story and it’s easy for me to understand why they were so popular during The Depression Era when so many men felt impotent and powerless. After a hard day of trying your best to feed your family and keep a roof over their heads, for a man in the 30’s, picking up a copy of ‘Weird Tales’ and reading a Conan story where he kills a mad god and makes off with his priceless giant diamond is the equivalent to a modern day Joe Punchclock coming home from work and turning on ‘24’ to watch Jack Bauer kick terrorist scum ass and save The President from being blown up by a neutron bomb in his shower.

Novalyne is totally astonished at meeting someone who actually makes a living by writing and they begin a friendship that develops into a rocky romance. Novalyne has a mind of her own and is ambitious with an independent spirit. In that respect she’s somewhat more progressive than most of the other young ladies in the town but she’s never met anybody like Robert Howard who is socially inept and extremely close to his mother, who is in poor health. When they go out on dates, Bob Howard prefers to take Novalyne on long drives where they can talk about the dreams and aspirations they have as writers. As much as Novalyne grows to love Bob, she soon realizes that he’s not husband material. Robert E. Howard is a wonderful man but he lives too much inside of his own head (Boy, can I relate to that) and while his incredible imaginative power and lust for life draws her to him, his emotional insensitivity and manic depressive moods drive her away. They maintain their romantic relationship in a sort of on-and-off again basis but the real romance is between their imaginative minds and the love they both have of writing.

I really love THE WHOLE WIDE WORLD for number of reasons: first of all, while it’s not a straightforward biography of Robert E. Howard, we do get to see some very important moments in his life filtered through the eyes of Novalyne. And there are some moments between Howard and his mother (Ann Wedgeworth) that were really touching. You may remember Ann Wedgeworth as the sexpot neighbor on ‘Three’s Company’. She does a really good job of acting here as Howard’s possessive mother who obviously loves her son a little too much.

The acting by Vincent D’Onofrio is first rate and convinced me that I was looking at Robert E. Howard in the scenes where he’s writing a Conan story and he’s speaking the dialog out loud. There’s another scene where’s he’s walking down the main street of his home town, shadowboxing an imaginary enemy and mumbling descriptions of the fight that’s taking place as he works out a story in his head. It’s made clear in the movie that Howard’s neighbors and friends think it’s pretty damn odd for a big grown strapping man such as himself to be making a living writing stories and talking to imaginary people in his head but D’Onofrio plays Howard with such an ‘I-Don’t-Give-A Damn-‘ charm he sells the performance. Renee Zellweger is simply wonderful as Novalyne Price. She understands Robert Howard. She loves Robert Howard. She thinks Robert Howard is the greatest writer in the whole wide world. She just can’t allow herself to fall enough in love with him to marry him. She’s smart enough to see that such a marriage would end in tragedy. And as we all know (and if you don’t, shame on you) Robert E. Howard committed suicide by shooting himself in the head after he was told his mother would never recover from her coma. He and his mother were buried in a double funeral ceremony in 1936. Novalyne Price went on to become a teacher and she wrote the book the movie THE WHOLE WIDE WORLD was based on after she grew angry at reading so many articles that distorted the truth about what Robert E. Howard was like during the great Pulp Boom of the 1970’s.

The relationship between Robert E. Howard and Novalyne Price is handled with a great deal of romanticism and sensitivity. Robert continually amazes Novalyne with the places he takes her to where they gaze upon beautiful sunrises and sunsets. These scenes also give D’Onofrio a chance to show off the stare he learned from Stanley Kubrick when we worked on “Full Metal Jacket” as Howard tells Novalyne about his stories and in the background we can faintly hear swords crashing together, the curses and yells of men fighting and the sounds of war which get louder and louder until Novalyne says something to snap him out of it. The thing that really comes across in the movie is that in a lot of ways, both Howard and Novalyne were born out of place and out of time and even though they were lucky enough to meet, they still could not connect on a lot of levels. It’s a really classically bittersweet love story.

It’s a great movie for fans of Robert E. Howard as I think it really gives fan of the man and his work a really good look at what his everyday life was like. It also works as a movie about writers. Movies about writers are really hard to do since most of the work takes place between their ears and most writers live boring lives. Fortunately, Robert E. Howard was as big as life as the heroes he wrote about and his life makes for an interesting movie. I really enjoyed the movie just on that basis since I identify a lot with Robert E. Howard. Like him, I have no illusions that my work is great art. I just like telling a good story and Robert E. Howard was one of the best storytellers ever born. Vincent D’Onofrio does an excellent job of showing Howard’s sheer exuberance and delight at just being able to tell a hell of a good story and I felt that deeply.

So should you see THE WHOLE WIDE WORLD? Absolutely. It’s a movie that works as a biography of one of the most influential and popular writers of all time. It also works as a movie about writers and their internal lives and how they connect, interact and deal with others who are not in tune with those wavelengths writers are in tune with. And it most definitely works as a romantic film as the relationship between Robert E. Howard and Novalyne Price is touching, sad, funny, and poignant and I freely admit that the last scene of the movie is one that had my eyes watering. Rent THE WHOLE WIDE WORLD and watch it with a writer you love for Valentine’s Day.

111 minutes
Rated PG

thanks for sharing that!

krad's picture

Very cool, Derrick -- thanks for reposting that review....

Keith R.A. DeCandido | keith@decandido.net | kradical.livejournal.com

"Even when you turn your back, you're still facing something."

Nice!

Pinkhamster's picture

This would have made a good "A Case for Books!"

Speaking of Robert E. Howard movies, you might like the biographical movie made about him, starring Vincent D'Onofrio as Howard, called "The Whole Wide World:"  http://www.imdb.com/title/tt0118163/

The Whole Wide World

Andrea K Lipinski's picture

I finally got around to seeing this today.  Thanks again for the recommendation ... and for the good long cry at the end.

*SOB*

Are we Riftians? Riftees? Or Members of the Round Table?

ooooh!

krad's picture

As a fan of both D'Onofrio and Howard, this is a movie I must see.

:goes to Netflix to add this to the queue:

 

Keith R.A. DeCandido | keith@decandido.net | kradical.livejournal.com

"Even when you turn your back, you're still facing something."

I was thinking...

Pinkhamster's picture

...when I posted that I recalled you speaking about "Law & Order: Criminal Intent" on a past episode!

D'Onofrio

krad's picture

I've been a fan of Vincent D'Onofrio since long before L&O:CI started -- most notably his brilliant turns as the bad guy in Men in Black and the victim in the award-winning "Subway" episode of Homicide: Life on the Street. (Odd trivia: D'Onofrio and Kathryn Erbe appeared on back-to-back episodes of H:LOTS in 1997, four years before being teamed as the leads on CI.)

D'Onofrio was also subject to an odd bit of post-production work, when he played Orson Welles in Ed Wood, but his voice was overdubbed by Maurice LaMarche (best known as the voice of the Brain in Pinky and the Brain).

Keith R.A. DeCandido | keith@decandido.net | kradical.livejournal.com

"Even when you turn your back, you're still facing something."

Ed Wood

Pinkhamster's picture

I thought that Ed Wood scene was uncanny.  I hadn't seen that technique of using two actors, voice and physical, to create the perfect impression before (or since, I suppose).

Homicide was a big favorite of mine.  I forgot about his appearance.  Think he was somehow stuck in a subway accident and slowly dying and having to come to terms with it, if I'm remembering right...

 

yup, you're remembering right

krad's picture

That was who he played on H:LOTS.

(And I fixed the editing/replying snafu, so all is well on that front...)

Keith R.A. DeCandido | keith@decandido.net | kradical.livejournal.com

"Even when you turn your back, you're still facing something."

Thanks!

Andrea K Lipinski's picture

Well, since I spent the last two months reading these books in addition to all the young adult books I normally read for work, I didn't want the effort to go to waste.  Unfortunately, there were two problems with trying to make my thoughts into a "Case For Books" segment.  One is that I'm supposed to be focusing on new books in that segment.  Once in a while, as in our upcoming review episode, I'll talk about a book that's a little older (this time because it's about to be released as a movie, to give you a hint), but usually they're new releases.  The other problem is that we have a time limit for our audio review segments -- sometimes I can stretch it by an extra minute, but there is no way that I could have fit all of my Robert E. Howard thoughts into the podcast.  Unlesss I actually took over the podcast.  Now THERE'S a thought!

And thanks a lot for the movie recommendation, I'm going to check it out!

Are we Riftians? Riftees? Or Members of the Round Table?

I've got it!

Pinkhamster's picture

My guess for the old book you're reviewing because it's about to be released as a movie: http://www.coverbrowser.com/image/monarch-books/51-1.jpg