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The Cinefantastique Spotlight: ROBOCOP

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And so, shouldering our backpacks and steeling ourselves against the urge to look back, we leave the doldrums of the start-of-2014 release schedule. Farewell, PARANORMAL ACTIVITY: THE MARKED ONES! Farewell, I, FRANKENSTEIN! Farewell, (ugh) VAMPIRE ACADEMY! May our paths never cross again. (A fruitless wish in the case of PARANORMAL ACTIVITY — the next installment is due in the summer.)

ROBOCOP — the remake of Paul Verhoeven’s politically acerbic, wildly satiric, and operatically violent science fiction action film — is much better. How much better, though, is open for debate. While celebrating  Brazilian director José Padilha’s success in updating the tale of a noble cop killed in the line of duty who’s transformed into an indomitable crime-fighting cyborg and literal corporate tool, the Cinefantastique team of Steve Biodrowski, Lawrence French, and Dan Persons differ on how well this new version addresses its social issues and political commentary. Bottom line: The guys are happier debating the degree of goodness of a truly good film than hashing over how much a misfire sucks rubber donkey lungs.

 

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